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VRIJE 1983 available as... duration:
73'49" compilation 1.
11·45-13·15 (extract) 7'18"
Recorded at Nekrosis Studio (June 1983-Summer
1984). Alan & Steve Freeman: Yamaha CS5, Casio PT30,
radio, tape, voice, collage, electronics, turntable, effects. notes... "Vrije 4" centred on the newly acquired Yamaha
CS5 synthesizer exploring its ability to create the most bizarre Geiger
Counter like tonalities, buzzing rasping patterns and such-like, existing as
two 25+ sound fabrics, each amounting to a dual lamination with a third layer
added live on mix-down. Having no mixer, and needing to laminate and overdub
in real time, limited what could be done, and thus many of the experiments
conducted on tapes after this didn't really work out as intended, although
tapes like "Transmission", Contaminate" and
"Retrospection" did have moments of brilliance. "New
Life" was originally conceived as Holy Atheist's comeback, but turned
out to be something entirely different in that snatches of various
avant-garde records were blatantly ripped-off. The section included here,
however, is quite remarkable in its use of collage and processed electronics,
comparable to work in the parallel project ZBB (Zircon & the Burning Brains).
"Gravamina For Uxoricide" gained a review in Dave Henderson's
"Wild Planet" feature in Sounds, notably due to its Maurizio
Bianchi type feel. That, and the subsequent "Blitzkrieg", however,
are not documented here, as they seem to lack the inspiration of much of the
other material from this era. And, after all, "Diabolik
Trepidation" developed these ideas on a far more interesting level. Wrapping up the Vrije archive "Terminus" was
completed after the transition to Alto Stratus proper, it amounted to a
collection of remixes and unreleased choice works, two of which you'll find
here ending the disc on a most bizarre footing. This is all choice historic
material, destined to challenge and perplex, the very cutting edge of new
music. Versions... |
VRIJE 1983 |
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